Prophet- praising Literature (Eulogy) in SudanTue, 17 Oct 2017
By A’amer Abugroun
Praise be to Allah the Lord of the worlds, prayer and peace be upon the messenger of God the truthful and honest, the prophet who has been commended in the holly Quran; our master Mohammed, all his kinsfolk and companions and those who followed his path up to the day of religion.
It’s somewhat difficult, if not semi impossible, to speak or write about prophet praising literature in Sudan since the references about it are very rare. This original heritage was not properly collected, documented or published. It did not even meet sufficient editing or studying although it represents a basic branch and an easy means for calling to Allah. It’s worth mentioning here that the Presidency, upon a proposal from Arwiqa Organization for Culture and Sciences has been good enough to establish al-Buraie Prize for prophet-praising literature since its main objectives were to collect, document, edit and study this literature. Since its establishment, it succeeded to document more than ten of the outstanding eulogists and narrators. This is considered a good start for anyone who attach importance to this heritage and publish and distribute it inside and outside the Sudan.
The popular prophetic literature has played, since the first appearance of the Islamic Call in Sudan and still playing a dominant role in shaping the spiritual life as well as the profound religious understanding, as the prophetic literature, especially the popular eulogy has formed a basic pivot in dealing with the concepts and objectives of the Call to Islam in this country as these poems carry the basis and main elements of the Islamic call; divine unity, creed and jurisprudence, dealings, ethics and the splendid prophet biography. You will find the prophet-praising poem either represent a unit of religion objectives or include several rules, stories and biographies. Several scholars and holy Quran memorizers have assumed this literature by writing this type of poetry in simple language, attractive melodies and sweet-sounding rhythm. By all these they made their Call with the utmost wisdom and heed following the verse: “ CALL THOU (all mankind] unto thy Sustainer's path with wisdom and goodly exhortation, and argue with them in the most kindly manner- for, behold, thy Sustainer knows best as to who strays from His path, and best knows He as to who are the right-guided”  what helped in the wide circulation of these objectives , dealings and biography of the prophet and his companions was that they used the easy colloquial language way they handled them, especially if put into consideration the illiteracy rate in Sudan. And so the Sudanese speak about these with deep knowledge and if you ask an illiterate Sudanese individual from where did he get all this knowledge he would answer that he didn’t get it from a study group of scholar X or Y but he heard it in a prophet-praising poem of this man or that.
For all these it should have been very important to take an interest in this literature which participated in the circulation of the Call to Isalm.
In his book entitled “the praising of the messenger extracted from Almurshid Ila Fahm Asha’ar Alarab – the guide to the understanding of the Arab poetry” professor Ibrahim Alqurashi says: the observer of popular prophetic eulogy in Sudan will find that it was introduced since quite a long time, together with the advent of Islam. No nation knows eulogy, loves and lives it like the Sudanese as eulogy is their camel driver and supplies. True religion and prophet biography has been circulated among them through eulogy more than any other means. Actually it was their contribution to the Islamic Call; through it they believed in the unity of God, honoured their prophet and knew his companions and studied his biography. All the laymen of the Levant don’t know what the Sudanese laymen know about the biography of the prophet through eulogy.
The Sudanese knew the classical - Arabic and colloquial eulogy as they learnt by heart “Burdat Albusiry” and chanted the fine poems of Alburae Alyamani and Alsarsary and theological and bacchanalian poems of Ibn Arabi. They became as litanies where they perform them together with prophet birthday story every Monday and Thursday nights. Their poets wrote poetry in classical Arabic. We have seen the good poems of Almajadheeb and Alsammaniya from the families of Sheikh Nour Addayem and Garibullah and the masterpieces of Sheikh Abdullah Mohammed Yunis etc.
The field of the Sudanese eulogists in which nobody can challenge or compete with them is the popular prophetic eulogy - the subject matter of this paper – you can count tens of divans and great eulogists. Those eulogists have innovated a virgin art, some of them, no doubt, depended on the classical type but, we can safely say that there are unique examples you can hardly find in other type of popular eulogy in any place else. We will prove this later in this paper.
Researchers found that the popular prophetic eulogy began before so many years, exactly with the spreading of the Sufi sects as they wrote poems to breach the citizen and perform them in their nights.
But, the actual beginning of what we now know as the popular prophetic eulogy was with the introduction of the tambourine by a man called (Hanin Almasry) as people say.
It’s very difficult to say the exact time of the first eulogist in Sudan but, traces indicate that eulogies were there towards the middle of the Sinnari era. However, many researchers were of the idea that the first stage of the establishment of popular eulogy in Sudan was assumed by three great eulogists; Haj Alnagar , Alsheikh Ali Was Haleeb and Gaddoura. Ghurashi Mohammed Hassan says ” a researcher in the arts of popular eulogy would find that most of the Sudanese eulogists had come from the north of Sudan the thing that proves that eulogies were born, lived and spread in the other parts of Sudan. The other notable phenomena was that there were no eulogists from the western or eastern parts of Sudan although they were rich of other folk arts. The justification according to Ghurashi is that “but, this is not strange for anybody who knows the nature of the inhabitants of these areas as they remained behind and semi-closed for generations while the north by being adjacent to the sources of Arabic culture has developed and Merewi, Sinnar and Khartoum were the meeting places for the cultural messages from Damascus, Beirut and Cairo as well as from Maghreb”
Ghurashi continues his research about the first eulogist who introduced the writing of popular eulogy in Sudan saying “ I have been searching since quite a long time for the first poet who introduced popular eulogies in Sudan and I found that Alnagar, from Gouz Badr near Shendi town, was the first man who create this art, and the first who wrote popular eulogy was Ali Wad Haleeb from the Shaygia tribe. They were the first eulogists and then came Gaddoura who was buried in Rahad Al-Dindir.
So according to researchers the beginning is likely to be with Alsheikh Haj Alnagar ibn Alsheikh Badrain bin Alsheikh Salman Wad Alawadhia, buried in Aljuwair, Almatamma locality. Haj Alnagar is buried in Gouz Rajab some thirty Kilometer north of Al-Matamma. The first eulogy (Assalama) was composed by Haj Alnagar towards the end of the seventeenth century and the beginning of the eighteenth century, below are extracts of it:
I started the composition in the name of Allah the ever living
Allah is very old O learned and He is wealthy and not needy
O god we pray for safety O God we pray for safety
He enrich the poor and breathes life into bodies
Save us O the marked man in this world and the doomsday
He created us and splint our broken bones
Save us from the grief of repentance and from the night dens
And from the hereafter and from the crowded graves and from the terrors of the doomsday
I reiterate with my bride the marked man the messenger my doctor the marked man
The Arbic messenger the marked man he removes my fatigue the marked man
Son of bint Wahab the marked man
The noble descent the marked man
Of noble lineage the marked man the polite man the marked man
Who never get irritated the marked man
He brings visitors the marked man
The best of the Arabs the marked man the honest who never lies the marked man
Eulogists always commence their nights with this Assalama and when entering villages. It’s an announcement and promotion for the night to be held in the place and when people hear the hits of Assalama they know there is an eulogy night to be held.
Simultaneously with the composition of Assalama by Hah Alnagar and what we now know as eulogy started in the River Nile State where the Ja’ali tribe dwells there, Haj Alnagar heard of the emergence of a great narrator and eulogist in the Northern State called Ali Wad Haleeb (1719 -1784). He told his followers to send some verses and if he completed them then he’s a good eulogist and he wrote and sent the following two hemistich:
Long and flowing hair it’s neither… nor curly
Wad replied as follows:
His eyebrow is like crescent the light of his forehead illuminates
And then he completed it as follows:
Blessings upon Ahmed our master
We start our project with the ever knowing the hearer of the call
The ever living old and one the angels kneel to Him
In this time and at the emergence of Haj Alnagar in the area of the Ja’ali tribe followed by Ali Wad Haleeb and his disciple Haj Almahi (1789 -1870) and as the prophet-praising and biography culture is interesting as it’s associated with the love for the prophet, so it had to cover all the parts of Sudan in which the Sufi sects widely spread. The emergence of Haj Alnagar in the River Nile State was accompanied by the emergence of Ali Wad Haleeb in the Northern State. One of the greatest eulogists, the Mastodon of the popular eulogy narrators Alsheikh Abdulgader Mohammed Jabour (Gaddoura) 1745 – 1829, form the third side of the establishing period of the popular eulogy. he added a new rhythm of the known eulogy rhythms known as Algaddourabi.
This is the first phase of the popular eulogy in Sudan. Alsheikh Mohammed bin Hamad Abukasawi, Ahmed Wad Tameem, Ahmed Aldagouni, Haj ala’agib and Salih Elamin from the Badrab appeared in the same period. However the second phase came at the end of this phase and overlapped with it.
The second phase:
The popular eulogy literature in Sudan has witnessed, in this particular phase a notable improvements and it was prosperity period for the art. It was the Mahdism period where the jihad poetry prevailed and several eulogists appeared such as Alsheikh Mohammed Hassan Wad Hajja, Ahmed Wad Sa’ad, Ahmed Abusharia’a, Mohammed Hayati, Tayfour Aldagouni, Wad Mustafa,, Abdulamalik, AbuKhshaiba, Alhassan Albasri , some eulogists from Tameem’s family, Ahmed Algala’a, Mohammed Wad Salih, Abdulgader Abukasawi, Ahmed Was Sulaiman, Mohammed Zain and Mukhtar Abukasawi and others.
The sheikh of the eulogists of this period was Ahmed Wad Tamim who wrote wonderful eulogies out of his refined culture and deep knowledge.
The third phase:
The contemporary narrators (Rawi) who followed the method of the popular prophetic eulogy up to this day. The most outstanding eulogists of this trend were Alsheikh Aljaily Abugroun, Hashim Abdulmahmoud, Mohammed Alsabounabi, Sa’ad Abugroun, Awadh Aljeed bin Alkhaddam, Abdulrahim Alburae, Mukhtar Almarair, Othman Algalobawi, Taha Alhafian, Eltayeb Mukhtar and others.
The present young generation who did well in their works and sometimes in their performance, we can mention just as examples Alsheikh Abdulla Alhibir, Aljaili Abu Eldikhairy, Sa'ad Alhafeed, mahmoud Aldha’ef, Dr. Amin Hassan Aljak, Ikrima Rabe’i Sayed ahmed Bashandi, engineer Abdulmonim Shibrain and many others.
We can conclude that the development and graduation in the field of narration has remained unchanged up to the present time; the same old pattern, construction and rhythm of the prophetic eulogy. The accuracy and durability of the melodies, patterns and rhythms on which the founder based their works has made possible to preserve this firmly established form of this heritage, no matter words and expressions change or not.
Tambourines in Sudan: the first man who introduced tambourines in eulogy was a man called Haneen Almasry, as mentioned before in the seventeenth century and since that time they have been used in eulogy and sometimes in songs by some Sudanese tribes.
Ghurashi Mohammed Hassan, who checked/verified the divan of Wad Sa'ad has divided the tambourine arts into six divisions (rhythms) :
Muraba’a, Makhbout, Muashar, Hambati, Harbi and Daglashi. Popular eulogies and poems were named under these divisions and all eulogy metres have been composed depending on these divisions.
Ghurashi has explained why these names were given:
1. The Muraba’a was called so because it’s hemistiches are four.
2. The Makhbout was called so because it is composed of three hits.
3. The Muashar was called so because the lines of the poem are composed of ten hits.
4. The Hambati was called so because the tambourine hit are two similar to the hits of Dallouka. It is also called Banati.
5. The Harbi was called so because the rhythm is ardent
6. The Aldaglashi was called so because the rhythm is light and dancing from the light Shaygi songs.
7. Ghurashi mentioned what he called (Harbi Gaddoura) and (Murba’a Gadddoura) he believed that he was the first to introduce Alharbi and that it has two aspects slow and light and it has its own Muraba’a but I’m of the opinion that Gaddoura is distinguished by Alharbi Almagtou’. As for the usual Harbi, it is known in all war eulogies. The Muraba’a rhythm of all narrators is the same.
8. Ghurashi then mentioned what’s called Almuttaki and he traced it back to Gaddoura. He justified the name (Almuttaky) that it is similar to the rhythm used by the Shaygi Tribe.
Almashtoul: he attributed it to Aldagounab as they were introduced it in Alharbi Algaddourabi. It was called Almashtoul because it’s part of Algaddourabi and also because the rhythm is light, similar to the light Muraba’a.
This is what exactly was mentioned by Ghurashi in his famous book Alghurashi Collections, part 3 P.P.37 – 38.
The researcher Mohammed Omer Batouri made a good statement:
“Alsheikh Ali Wad Haleeb started as a Tambour vocalist and this enabled him to perfect eulogy melodies and accordingly he is considered the first founder of a school with melody and performance controls in north Sudan competed another schools such as Sheikh Alnagar school in the land of the Badrab (Ja’ali area) and Alsheikh Gaddoura school in the southern areas (Jazira)”
These three schools have laid the basis and arts of eulogy in Sudan and moved the people from the types of eulogy introduced by the Sufi sects; poem, safina and sayha.
These schools, says Batouri, followed strict method with seven rhythms:
Each one might have its own rhythm. Aldaglashi was classified by the Shaigia as Addalaib rhythm but, it is lighter than it.
As for the melodies, Wad Haleeb Muraba’a is called Alangaraib (bed) Eulogy as it is performed while eulogists are sitting on bed. This melody prepares the listeners to receive and understand the eulogy. This type is preferred by the scholars and the elderly for its high language and calm melody.
Then the sheikh continues to move the people between the different types of eulogy such as Makhbout and Mugayad and after that he guides them to stand up and enter the circle where hot eulogy and light melodies are performed using Almuashar, Aldaglashi and Alharbi.
Professor Ibrahim ALghurashi mentioned under the title Prophetic Eulogy Rhythms that:
The foregoing outstanding eulogists had not moved away from the old composition of poetry on known and joint poetry meters controlled by the known tambourine rhythms such as Almuraba’a, Almakhbout, Alharbi, Alhambati, Aldaglashi (Almuashar) and Alnahiabi which means the composition of prophetic eulogy on the meters of the couplet (Doubait).
Most of eulogy is performed using tambourine and after the emergence of the “Hagiba” songs eulogists moved to light eulogies so they used the tambourine, triangle and small cymbals (cups) and before that they mifht have been using the sticks. The presence of music has attracted the youth to the eulogy but, those who used to hear eulogy with the tambourine rhythm don’t prefer this.
In analyzing all these opinions I find myself in full agreement with what professor Alghurashi had reached without any addition. I may only add the distinguished rhythms that distinguishing some areas and narrators. For example the rhythms of the Shaygia area may be similar to the above mentioned rhythms but when we hear them we can’t add them to the same classification given the rules and hits. Even the tambourine used in the eulogies of the Shaygia (Wad Haleeb, haj Elmahi and others ) are two Shatams (small tambourine)and one Razama (large tambourine while that of the other eulogists of the south is composed of two razamas and one Shatam). Gaddoura was distinguished by Alharbi Almagto’ and he excelled in rhythm named before him, Alsulaimani. It is similar to Alharbi and is attributed to Alsheikh Ahmed Wad Sulaiman.
for every form of art there are controls and principles according to which it is judged but, if we look into the art of popular eulogy in Sudan, because it started from cultural, technical and religious heritage on which it formed its contents and meanings we will discover that it depended on the basis on which the religious concepts have been established (preceded by prose and oratory). Accordingly, the skeleton of the popular eulogy was built on this method and that pattern. The popular eulogy starts with praise, thankfulness and monotheism of the Lord then it pray upon the prophet blessings and peace be upon him as in oratory. The narrator then shift to the biography, characteristics, miracles, breaching and guidance and the other issues of the eulogy. The eulogy is concluded by the narrator signing his name and by this the popular eulogy is considered ahead of World Intellectual Property Organization (WIPO) which works on the encouragement of creative activity, the promotion and protection of intellectual property throughout the world and particularly the rights of the author’s as well as the other neighboring rights.
If we trace what researchers have written on the skeleton of the popular eulogy we will discover that they all agreed on a unified skeleton except for few writers where some of them stated a different sequence and others omitted some items.. Ghurashi Mohammed Hassan in his collection ”Alghurashiat” which is considered an important reference in the subject stated that ”there are some established principles followed by the eulogists in the writing of popular eulogy since long time and by these principle I mean the skeleton of the eulogy. For them the eulogy is composed of four elements:”
1. The first element: the opening verse. It is also called Asat Almadha (the stick of the eulogy).
2. The second element: seconding as they say after the opening verse I iterate with the messenger
3. The third element: stating the signs and miracles
4. The fourth element: the conclusion. Always with prophet blessing and mentioning of his companions. The poet must put his name or nickname at the end of the eulogy, and this is good as it gives the author his rights and so that no other eulogist can attribute it to himself.
On the other hand we find the writer Ms. Maryam Eltayeb Babiker has taken up this issue and discussed it in a full chapter entitled (Method of Eulogy) in her book “Madh Almahboub Wa Mujarat Alahiba’a”. she stated that the popular eulogy is mostly composed of sections known to many eulogists. I was impressed by her statement “people are acquainted with constant order but it’s not binding and eulogists are free to adopt it or not, according to the methods taken by the pioneer eulogists and the following generations. An eulogy can contain all these parts or part of them”
the writer stated the following sequence of the eulogy:
1. part one: the opening verse
2. the second part: naming.
3. the third part: seconding
4. the fourth part: lightning and breeze
5. the fifth part: the signature
6. the sixth part: the conclusion and prophet blessing.
In a most recent book written by the Prophetic Eulogy researcher professor Ibrahim Alghurashi entitled “ Madh Alrasoul Almustal Min Almurshid - The Messenger Eulogy Derived From Almurshid” he stated that narrators have a skeleton which most of them, if not all, are acquainted with on the basis of which they compose their eulogies. He writes under the title “the skeleton of the popular prophetic eulogy”: the popular eulogy has a known skeleton and it begins by:
1. Alasaya (the stick): the opening verse. It is the verse repeated by Alzummal (the chorus).
3. Praising: prophet praising.
4. Then the eulogist moves to the story of the birth day and the signs of Prophecy.
5. Miracles, characteristics and the good qualities of the prophet.
6. Then he mentions the prophet companions and their outstanding traits, particularly the orthodox caliphs.
7. The eulogists then enter the lightening which is tangible and abstract.
8. Then they conclude by the blessings.
If we analyze all these opinions we will find that all of them are right but some of them put only outlines while others went on details but I find myself attracted to the skeleton stated by professor Ibrahim Alghurashi with some additions. My quarter a century practice and research in this field led me to value this as highly refined and interesting art with basics and branches and so when Gaddoura says “ my old seeds is not from me it is from my cognizant elderly” he meant it.
We can title the second part of the skeleton, according to professor Ghurashi, the Begining as it is not necessary to speak about monotheism. Some of the eulogists starts (I mean The Beginning) with monotheism like Gaddoura, others with prayer like Hayati, others with erotic poetry like Abusharia, others with ecstasy like Haj Ala’agib and others write on breaching and guiding and about the companions of the prophet. They don’t speak about monotheism so I think the monotheism part should be replaced by The Beginning as stated by professor Alghurashi.
I think that the real skeleton of the popular prophetic eulogy is that stated by professor Ibrahim Alghurashi in number and sequence. The fact of the eulogy being long or short and differ in its meanings and content, depends on the culture and knowledge of the composer. The skeleton is not binding.
Let us take these three eulogies as examples of the skeleton of the eulogy.
The first one is Gaddoura’s “drive the camels O camel driver to the prophet of Alrahman”. The sequence is as follows:
1. Alasaya (The opening verse):
Drive the camels O camel driver to the prophet of Alrahman
2. The Beginning:
I started with mentioning the name of the unique The One, The Benefactor.
No partner no other one I hope He takes care of me
I praise the Giver I commend the ….
He breathed life into me I knew that He has no place
I reiterate the descendent of Adnan Mohammed the luminous
Who has been crowned by the most Merciful the intercessor of people
4. the birthday and prophetic signs:
Birth was given to the most beloved person before all human beings
We heard of him before long time he extinguish fires
Our prophet never gets angry he is lenient and not miserable
He pleases the miserable and depressed people and bring good news to them
6. The prophet companions:
You see Alsiddig the lenient and Omer who calls for prayers openly
Othman who recites Quran and the lion- like Ali
7. The breeze:
The breeze blew from the House and burned and grilled my abdomen
I was ill for a long time but its smell made me well
8. Signature and Blessings:
Gaddoura the sufferer says I thank the descendant of Adnan
His praise is in my tongue makes me very pleased
Blessings and peace go together
It reaches and pleases the most significant messenger
In the eulogy of Ahmed Wad Sulaiman “salati Alak Ma’a Altasleem”
1. Alasaya (The opening verse):
O the fathe of Ibrahim my blessing and greetings upon you that pleases your companions
2. The Beginning:
No God or Partner with You award me Your consent till I meet You
My thanks goes to the lover of his lord the intercessor for the guilty when the disobedient cry
4. the birthday and prophetic signs:
Strong odor of musk diffused on his birthday and the palace tilted and collapsed
Since your early days you proved superior to your colleagues and anyone who wanted to be as you lacked behind
Trees called and greeted you the camel that came to you was set free
Wine, snuff and adulterers are waiting for you
And except for you O messenger we would have been wiped out
6. The prophet companions:
His companions mounting longing for Jihad if one person come he will defeat your enemies
7. The lightning:
The lightning flashed and brought to me your fragrance.
8. Signature and Blessings:
Blessings upon you the dweller of the town full of palm trees Ibn Suleiman has come to you as he always cries to see you
The third example is Alhalima by Abusharia
1. Alasaya (The opening verse):
O the most merciful enable me to meet the lenient immediately without delay
2. The Beginning:
O Who knows the secrets Your slave has come to You appealing for Your help
You are much forgiving and forbearing present him at the Presence
He always compose eulogy on the greatest Dear One
He help those were thrown to hell in the day of distress
4. the birthday and prophetic signs:
Birth was given to the most affectionate man
He came holding the reins of welfare
The globe has increased its gratefulness and Redhwan embroidered his paradises.
His hands were stretched forth and the world become moist from his generosity
To indicate his forbearance I will just mention the gazelle who set free
Clouds follow him when walking because rocks are under his feet
He gives by his right and left hands out of asceticism and not affluence
6. The prophet companions:
His companions walk with him if he is going or coming
Grandeur and dignity walks behind him and so veneration
7. The lightning:
When I saw the mid-night lightning it deprived me from sleeping
I intend to go there after my weeping
8. Signature and Blessings:
Abusharia’a dedicated his blessings obedience to the obedient
Remove my alarming worries and Prohibit him from what may lead to committing sins
And so most if not all prophetic eulogies go on this pattern
The content of the popular Prophetic Eulogies:
Popular prophetic eulogy dealt with the concepts, values, teachings of the true religion. It brought it down to reality with easy-to-understand phrases and language. We find the eulogist speaks about monotheism, creeds, jurisprudence, worshipping and the prophetic biography- which are the general core of prophetic eulogy- the dealings, ethics call for jihad and protection of religion, and honor, etc.
Some eulogies speak about one issue while others call for several values.
We will give short biographies of the most leading and important eulogists so as to complete the picture of this high-ranking spiritual art which enriched and affected the formation of the conscience and civilized identity of the Sudanese people. We better start with he founding generation:
1. Sheikh Ali wad Haleeb
Sheikh Ali Wad Haleeb, a Shallufabi Shaygi, was born in 1719 in the village of Almagal at the eastern bank of the river Nile to the north of Merewi and Karima. He remained there until he died in 1784 (some sources say 1804). His grandfather Shalif was a grandson of Shige. He was nicknamed Wad Haleeb because his grandmother who loved him used to say ”Mohammed my beloved son is like milk (Haleeb)” he coeval the eulogist of the Ja’alyin Haj Alnagar and the eulogist of the Jazira Sheikh Abdulgader Mohammed Jabour (Gaddoura). It was said that the father of Haj Almahi was a colleague of him and when Haj Almahi was born he invited his friend to the Aqiqah feast and putting some dates in his mouth. He told the father that Haj Almahi will be his successor in eulogy and he was right. He began a singer with a sweet voice. When he transferred his career to eulogy he wrote a lot of eulogy that made him together with Haj Alnagar and Gaddourah the creator of this literature.
- Haj Alnagar:
sheikh Haj Alnagar son of Sheikh Salman Wad Alawadhiya is Muslim saint well known in Jwer area in the rural area of Shendi town. He was one of the original creators of this literature. He was the coeval of Wad Haleeb and Gaddoura. The three were the creators of this literature but it’s not known who came first. He either wrote few eulogies or his production was lost but, at least he is the poet of (Madhat Assalama) which one can hardly find a Sudanese eulogist not keeping it by heart, according to professor Ibrahim Alqurashi. As for Haj Alnagar we knew of only three pieces one of them goes like this:
the breeze blew and brought Anbar
longing to the messenger has shaken the lover’s heart
he also says in it:
when the sun was turned and the market filled
and people are very crowded and disturbed
the crier says who will avoid this day
we say the good news is that Mohammed has come
- Sheikh Abdulgader Mohammed Jabour (Gaddoura)
Sheikh Gaddoura was born in wad Ramli area, Khartoum North (Aljaili locality) in 1158AH -1745. Then he moved to Wad Alabas at the eastern bank of the Blue Nile (State of Sinnar) he is the cousin of Sheikh Ahmed Eltayeb Albashir. He is one of the creators of the popular eulogy. He had special way of chanting eulogy known as (Algadourabia) he had many sons and grandsons the most famous of them is sheikh Alhaj Habeebullah who wrote the well known eulogy of (Aladnani Alameen Wad Macca). He died in 1829 at the age of 88 south of Alhawata and people visit his shrine there.
- Mohammed haj Ala’agib:
Mohammed Ela’agib Son of Ahmed son of Sa’ad, a Khraisabi Ja’ali born in 1704, he lived in Gouz Badr, a Shendi town suburb. He is the nefew of Haj Agnagar. Educated at Khalwas and then he received some jurisprudence, Hadith and Arabic language sciences. He was pious and ascetic and his heart filled with the love of the prophet. He had some Divine inspirations and for his profound love to the prophet he was called (the young Bura’e) and he wrote masterpieces in this love. He died and buried in Gouz Badr, 1779.
- Sheikh Salih Elamin:
Salih Son of Elameen son of altayeb Son of Alsheikh Ahmed Son of Alsheikh Badr, from the Badrab tribe. He was nicknamed (Salih wad Elameen). Born in 1825 in Gouz Badr of Shendi own in a family known with its knowledge, piety and love to the prophet. His grandfathers were AlsheikhSalman Was Alawadhiya and Haj Alnagar and Haj Ela’agib who lived with him. He died in 1888 and buried in Gouz Badr.
- Sheikh Ahmed Wad Tamim:
he is Ahmed son of Fadhlalla son of Sulaiman son of Tamim from the A’aliab Ja’aliyeen tribe, born in 1709 in Ala’alyab (Jiraif was A’alim). He migrated from his place to ALhoush area (Jazira) .he was known as (Alfaki wad Tamim). He was one of those who know Quran by heart. He established a school for the study of quoran and teaching the young Muslims the principles of reading and writing and he was a scholar, piety, Sufist and popular eulogist. He wrote many eulogies but most of them were lost upon his death. He died in 1870 and buried in Alhoush.
- Sheikh Ahmed Ali Aldagouni:
He is Ahmed son of Ali Aldagouni, the first eulogist in his family (Aldagounab). He concludes his eulogies with Ibn Aldagoun. Born in 1221 AH. His father was one of the scholars of his time; he kept Quran by heart and studied the Sharia science and became of the stars of the Turkish era. He wrote a lot of eulogies collected in a collection of poems named (Aldagounab). Throughout his lifetime he made very good contribution in the prophetic literature and the call to Islam. He died in 1295 and buried in Ala’alyab.
- Sheikh Mohammed Hassan Wad Haja:
Mohammed is the son of Hassan and Wad Haja is his nickname. He is from the Ja’ai tribe , Musalamab branch. For his seniority and moral status it was his right to introduced with the second phase poets as he lived during the period 1221 – 1290 AH. Mohammed was born and died in the area of Alfadniya, northern Sudan. He received his first education in one of the Quran Khalwas which were then very common allover Sudan, where he learnt Quran by heart and received studies in Islamic jurisprudence, biography and language by the scholars of Sinnar culture. He lived during the Turkish era and he was famous for his quadruple rhythm with which the eulogists commence their nights. He was cotemporary with Mohammed Haj Ala’agib, Salih Alamin, Ahmed Aldagouni, Ahmed Wad Tamim and Haj Elmahi who mentioned his name in one of his eulogies.
- Sheikh Mohammed Abukassawi (1117_1250 AH):
Let us first make a brief account about Abukassawi family (Alkasawab). They have rich history in the popular prophetic eulogy as the case of the Badrab, Dagounab and tamimab. History tells us that the grand grandfather of Alkasawab is Alsharif Rayash ibn ALsharif Mohammed Turaifi who lived near the holy sanctuaty. He entered Sudan in 700 AH. The story behind the nickname Abukassawi was that their grandfather Hamad used to move from one place to another and after sometime he noted that people had changed their way and when he asked why the answer was that a lion stood in their way. Hamad killed the lion and when people asked who was the knight who killed the lion and as nobody knew him, the answer was that the lion was killed by the man who put on white cloths. He was then called Abukassawi. The eldest son of sheikh Hamad was Mohammed Abukasawi about whom we are going to give account.
He’s one of the pioneer prophetic eulogists. He was given the spiritual itinerary by sheikh Awad Aljeed of Wad Ifaina, similar to sheikh Mohammed Badr. He used to have several meetings with the Grand Pole my master Sheikh Altayeb ibn Albasheer (the man of Um-marrahi) as well as Alsheikh Altoum Wad Bannaga. He wrote many wonderful eulogies in praise of the prophet and his companions, and in values, ethics, breaching and behaviour. He’s considered the best of the eulogists of this category.
- Sheikh Ahmed Abukassawi:
Alsheikh Mohammed Ahmed Abukasawi begot the eulogist Ahmed Abukasawi (1220-1304AH). His heart was filled with the reciting of Quran and the tunes of eulogy. He followed the steps of his father in writing eulogies who came to Um-Durman together with some of his colleagues to meet Almahdi and support his call. He died in Um-Durman1886 and buried there _ Ardha north district. A tomb was built on his grave to the north of Faisal Mosque. He wrote national and religious odes.
- Sheikh Abdulgader Abukassawi:
In addition to the prophetic eulogy, Sheikh Abdulgader Abukasawi Sufi odes were famous among all the Gadiriya sects.
Sheikh Ahmed Mohammed Hamad Abukasawi begot two sons who were considered great eulogists; Sheikh Mohammed Zain Abukasawi and Sheikh Mukhtar Abukasawi.
- Sheikh Mohammed Zain Abukassawi (1265-1325AH):
The poet and eulogist Mohammed Zain Ibn Alsheikh Ahmed Ibn Alsheikh Mohammed Abukasawi. Upon the death of his father he became his successor and became a star in the prophetic eulogies. He wrote so many eulogies.
- Sheikh Almukhtar Abukassawi (1279-1335):
He was the younger brother of Sheikh Mohammed Zain And Alsheikh Alameen. He wrote so many prophetic odes. He was contemporary with the greatest eulogists Wad Sa’ad and Abusharia. There were other eulogists in this family: Alsheikh Alameen Abukasawi, Alsheikh Albashir Alameen Abukasawi, Abukasawi Alsheikh Aladnani and Alsheikh Albashir Alsheikh Habib Allah and others. Most of the abovenamed were mentioned by Haj Almahi in his eulogy “Sallou ya Hubour”:
- Sheikh Haj Elmahi:
Elmahi Ibn Mohammed ibn Alsheikh ibn Ahmed ibn Abdulla, born and broght up in the village of Alkasinger north of Karima town. People differ in the date of his birth whether it’s 1194 or 1204 but they ‘re sure of his death 1287 AH -1824. He a masaalmabi, one of the Ja’ali tribe subdivisions who lived in Aligaida area near Alkitayab, the River Nile State. His family migrated since quite a long time to live in the homeland of Alshaygiya tribe so people consider him a Shaygi by culture, behaviour and accent. He wrote a lot of excellent eulogies contained in his divan. He died and buried in Alkasinger. After this come a new generation of eulogists associated with the founders constituting a new generation:
- Sheikh Tayfour Addagouni:
Alsheikh Tayfour Ahmed Ali Aldagouni, born in the village of Aldagounab, Ala’alyab in the River Nile State, 1240 AH -1824 or as stated in his divan 1370 AH – 1850, brought up by his father Ahmed Ali Aldagouni and hhis mother the pious woman Bakhita. He learnt Quran by heart and studied the religious science by the famous scholar Alsheikh Mohammed Alkhair in Alghubush Khalwas in Berber. He wrote many excellent eulogies, more than any one from Aldagouni family. He always signs his eulogies with (Tayfour Aldagouni) or (Ibn Aldagoun). It’s always said in the eulogy sessions “taste eulogy by an eulogy from Tayfour”. He met and pledge allegiance to him. He died and buried in Alyab, in 1325 AH – 1907 or 1325 AH -1907 as mentioned in the divan
- Sheikh Ahmed Wad Saad:
Ahmed Mohammed Sa’ad Abdusalam Almas’sd Edrees Alfahal Bushara. Born in Gouz Burra west of Shendi town, 1822. He migrated with his father to Gezira and settled in Wad Almajdoub village following the incident of Mak Nimer who set fire on the Pasha. Upon the death of hhis father he was sponsored by his uncles whosent him to the Khalwa of Alsheikh Hamadannil where he learnt Quran by heart and studied Islamic jurisprudence and principles of religion and Arabic language. He wrote many good eulogies and became (the Sheikh of Eulogists). He met and pledge allegiance to him. He wrote many eulogies in the support of the Mahdi and Mahadism the thing that qualified him to be the poet of the first Mahdiya. He moved in his last days to Alwali village where he died and buried in 1926.
Alsheikh Shmed Mohammed Hassan Abusharia’a. born in a village called Sayyal Wad Fatir. A suburb of Rufa’a town in 1269 – 1848. He studied in the mosque of Alshrif Wadalobayyed. He was the colleague of Alsheikh Mohammed Toum. He had a loud voice. He met Almahdy and pledged allegiance to him. He wrote several poems in support of the revolution and Almahdi. Then he turned to praise the prophet and his companions with outstanding well-composed and excellent-language eulogies. His divan was printed in his last days. He settled in Sardia island and died at the age of 71 in sardia island hn 1919 and people visit his grave there.
- SheikhAhmed Algalla’a:
Ja’ali, born in 1247 AH/ 1830 in the village of Ummarrahi, Gezira. He was brought up in a house known for piety and uprightness. He was the contemporary of Wad tamim, Wad Sa’ad, Abusharia’a and Tayfour Aldagouni. He met Almahdi and pledged allegiance to him. He supported almahdy call. On the collapse of the Mahdist State he returned to his home village to worship and write eulogies. He died in 1907 and buried in his village Ummarrahi.
- Sheikh Ahmed ABdulmalik:
He’s known as Alfaki Wad Abdulmalik, from Algawasma tribe. Born in Karkouj, a rural area in Sinja. He studied the holy Quran and met Sheikh Alobaid Mohammed Badr in Um Dhawan Ban. Then he moved to Alazhar Alsharif. He wrote fluent and easy eulogies. He was contemporary with eminent eulogists. Alsheikh Ahmed Wad Sa’ad described him as ‘Wad Abdulmalik is the blacksmith of the eulogists’. He died and buried in Karkouj, 1907.
- Sheikh Alhassan ALbasry:
Alsheikh Alhassan Albasry son of Alfaki Abdulla ibn Alfaki Alamin ibn Mohammed ibn Alamin ibn Sharh Baskail Alrubatabi. Alfaki Alamin was known as Wad Umhaggain, a descendant of king Samkaih one of the kings of Jamouiya tribe. The poet was born in Islanj island. His grandfather learnt Quran by heart, so he was brought up and received lessons on holy Quran, jurisprudence and Arabic language. He became an outstanding eulogist. He migrated and settled for sometime in Altura’a Alkhadhra and then he eturned to his island where he died at the age of about forty years and buried there.
- Sheikh Mohammed Hayati Elhaj Hamad:
The biography of Alsheikh Hayati say that he’s Mohammed Hayati son of Alhaj Hamad ALarabi. His mother Amna bint Fatima bint Alsheikh Alobaid wad Badr. Born in Umdawan ban in the year 1290AH/ 1872. His father martyrized in one of the mahdism battles and was brought up by his grandfather Alsheikh Mohammed Alobaid Badr and then his son and successor Alsheikh Ahmed Alballa’a. he wrote masterpieces of eulogies. Died in Alsigaya’a one of the suburbs of Rufa’a town in 1943. He left a printed divan. Considered one of the best eulogists.
- Sheikh Ahmed Wad Sulaiman:
Ahmed Wad Sulaiman belongs to Jammouia tribe. He was born in Lamab Bahar Abyadh in 1855. He studied and learnt Quran by heart with Alsheikh Mohammed Bar in Umdawan ban. He also studied Aharia sciences with Alsheikh Wad Ummarioum. He came to Abusi’ed area during the period of Mahdia and established a mosque and a Khalwa. He wrote eulogies since his early days. He met the Mahdi and pledged allegiance to him thus he combind Sufism and Ansarism (supporters of the Mahdi). He was moderate Muslim. He wrote so many prophetic eulogies. He died on 25th of Shawal 1337 and buried in Abusi’ed where he built his mosque and Khalwa.
- Sheikh Mohammed AbuKhishaiba:
Alsheikh Mohammed ibn Awadulkarim was a Ja’ali born in Berber area in a conservative religious family. He migrated to Alghubush area and met Alsheikh Mohammed Alkhair. He received Islamic lessons and learnt Quran by heart. He became a friend and colleague of Mohammed Ahmed Almahdi. They had good memories together and so he supported his revolution from its outset in 1881. He wrote excellent eulogies. He was called Abukhishaiba. Upon the collapse the Mahdia he devoted himself to worship and writing of eulogies. He moved to and settled in the village of Umodham, Alhalaween area. He died in 1940 at an age of above hundred.
- Sheikh Ahmed Wad Mustafa:
One of the famous Gadirya sect eulogists in Kadabas (the others are Alhuaili and Altayeb Mukhtar). He’s Alsheikh Ahmed Mustafa from the Rubatab tribe. Born in Amki area near to Abudees area, province of Abuhamad. He was brought up there and at ten he came to Berber town to study Quran with Alsheikh Wad Hummaida. Thr he studied the other Islamic sciences and prophet biography by his sheikhs in Kadabas. he has a printed divan on prophetic eulogies. He died during the period of Alsheikh Ahmed Alja’ali Almuthanna in 1929 and buried in the area were he was born.
One can say that those great people who narrate and wrote this rich literature were the men who established and left this literature to the generations to in a pure and sound condition both from the shape and contents.
1. popular prophetic eulogy has deepened the concept of identity of this beloved country given the contents it took up.
2. the popular prophetic eulogy has played a vital role in the formation of the nation’s sentiment and raising the love for the lord and His messenger.
3. whenever there is eulogy the association of people with religion and love of the lord and prophet.
4. the popular prophetic eulogy worked on the coherence of the society components and bolstering of its texture as well as removing tribalism and racism.
1. work on the purification of this literature so as to play its role and perform its mission in the society.
2. give a chance to this kind of literature to spread through the different means of communication and introduce it to others.
3. Work on editing/checking and studying most if not all the eulogy divans to explain all the phrases as they are written in colloquial Arabic.
1. verse (125) Alnahl
2. Ghurashi Mohammed Hassan – Alghurashi collections part – 1 p.20
3. born in Wad Nubawi, Omdurman. Graduated in Omdurman scientific institution and he joined Alnil daily newspaper the Alsudan Alhadid paper. He was the acting chief editor of Alumma newa paper. He was appointed the chief editor of the Sudanese Worker Magazine. After that he was selected a member of the independent front, Cairo Agreement 1952 hten an establishing member of Alkhartoum monthly Magazine. Finally he was appointed chief editor of Sudan Radio and Television Magazine. Poet he has a divan under printing. He introduced Eulogy literature programme in Omdurman radio and the T.V. he wrote many books the most famous of them is (with the eulogists) 4 parts. He compiled biographies for forty five eulogists and 500 eulogies.
4. another sources say it was written by Haj Alnagar and Ali was Haleeb; one verse from this and one from that. This information appeared in Divan Wad Haleeb issued by AlBurae Prize, p 166.
5. some says Haj Alnagar didn’t send that verse to Wad Haleeb but, he sent one word ‘’Kaja” when Wad Haleeb received he wrote this eulogy:
Tayba the town ful of date trees it coincided with the pilgrimage day
6. Ghurashi collections part 1 p 20
7. divan of Ahmed Wad Sa’ad checked/verified by Ghurashi M.H PP.31 – 33
8. Divan Wad Haleeb and his family – Fatima Ali Omer p. 10
9. Madih Alrasoul (pbuh) p. 45 Professor I. Alghurashi
10. Ghurashi collections, part 3, P 28
11. Madh Almahboub- Maryam Eltayeb Mustafa P. 55
12. Madh Alrasoul. I Gh p.43
13. ibid p. 43
14. divan Wad Haleeb. Alburae prize P. 11
15. Madh Alrasoul, I. Gh.P. 41
16. divan Taj Alnubuwa, Alsheikh Gaddoura p. 11Ghurashi collections
17. Ghurashi collections, part 1. P.65
18. Ahl Aldhikr Collection – part 3. P.109
19. a verbal note by the successor of Alsheikh Ahmed Was Tamim , Alhoush
20. Ahl Aldhikr Collection – part 2. P602 – divan Aldagouni – p 8
21. Ghurashi collections – part 3, p 45
22. Ahl Aldhikr Collection – part 2, p 677
23. with the Eulogists – GMH , p189
24. Madh Alrasoul – I.G, p 41
25. Alsalatu Ala Alrasoul Almahi fi Madaih Haj Almahi - A. Alfahal , p 16
26. divan Aldagouni – p53
27. Ahmed Wad Sa’ad, his life and works – the writer , p40
28Divan Abusharia –p.4
29. Ahl Aldhikr Collection – part 2, p675
30. ibid – p.652
31. with the Eulogists – GMH , p417
32. Hauati the brilliant a Tour in his divan IG – p 17
33. divan Ahmed Wad Sulaiman – p10
34. with the Eulogists – GMH – part 3. P 83
35. divan Wad Mustafa – p11